{"id":14,"date":"2021-03-02T11:53:37","date_gmt":"2021-03-02T10:53:37","guid":{"rendered":"https:\/\/www.justeavantloubli.com\/?page_id=14"},"modified":"2025-08-17T21:59:20","modified_gmt":"2025-08-17T19:59:20","slug":"compagnie","status":"publish","type":"page","link":"https:\/\/www.justeavantloubli.com\/en\/compagnie\/","title":{"rendered":"Company"},"content":{"rendered":"

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The company<\/h1>\n

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Apre\u0300s avoir partage\u0301 et me\u0301lange\u0301 leur vie en France et a\u0300 l\u2019e\u0301tranger sur des sce\u0300nes de cirque, de musique et de cabarets pendant plus de 15 ans, Ame\u0301lie et Quentin de\u0301cident de monter leur propre compagnie.
La Compagnie Juste avant l\u2019oubli voit le jour suite au confinement de mars 2020 et est domicilie\u0301e a\u0300 Ozenay, petit village de Sao\u0302ne-et-Loire en Bourgogne.En plus du de\u0301sir et du plaisir qu\u2019ils ont a\u0300 travailler ensemble, il s\u2019agit main- tenant pour Ame\u0301lie et Quentin de mettre en commun leurs moyens d\u2019expres- sion, leurs langages.
La ligne artistique est multidisciplinaire, avec comme base et outils d\u2019expres- sions, l\u2019e\u0301criture, le corps, la cre\u0301ation musicale, le jeu d\u2019acteur, l\u2019humour, la magie nouvelle et le cirque.
La compagnie a la volonte\u0301 particulie\u0300re de promouvoir l\u2019accessibilite\u0301 au spectacle vivant dans les campagnes.<\/p>\n

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Because in a time of isolation, loneliness, invisible barriers, existential questions, reflections on the essential, we have looked inside us. So as not to get lost, to understand what is left, what matters. Because in the hour of tenacious and obstinate silence, our mouths stamp their feet, our instruments move, our hearts leap. So as not to get lost, to understand those who remain, what drives us.<\/p>\n

The company Just Before Oblivion is born following the confinement of March 2020 in Ozenay, a small village of Sa\u00f4ne-et-Loire in Burgundy. It was for us to pool our means of expression, our languages \u200b\u200band continue more than ever to share, express ourselves, surprise and confuse.<\/p>\n

Dans notre recherche artistique nous aimons m\u00ealer les mots, le son, la musique, le corps, le clown, le cirque, avec la particularit\u00e9 d’apporter une douce confusion des sens gr\u00e2ce \u00e0 la magie nouvelle. Ce croisement artistique se nourrit de rencontres et de collaborations avec des artistes et des techniciens qui enrichissent le travail de la compagnie en y d\u00e9posant leurs regards et leurs habilet\u00e9s.<\/p>\n

We like to bring the show beyond the agreed and expected places, invest the public space, leave the memory of an emotion there, and give it back its magic.\nWe also like to come back to the theater to better rediscover it, to enjoy the special listening that is created there. We like to mix the writings, to seek mixed techniques and to find the precision, the requirement, the laughter and the pleasure.<\/p>\n

Et ce que nous aimons plus que tout c’est jouer.
Inviter chaque spectateur \u00e0 s’abandonner un instant et accepter de perdre bien des rep\u00e8res.
Play and be moved.
Together.<\/p>\n

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The company<\/h1>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

Because in a time of isolation, loneliness, invisible barriers, existential questions, reflections on the essential, we have looked inside us. So as not to get lost, to understand what is left, what matters. Because in the hour of tenacious and obstinate silence, our mouths stamp their feet, our instruments move, our hearts leap. So as not to get lost, to understand those who remain, what drives us.<\/p>\n

The company Just Before Oblivion is born following the confinement of March 2020 in Ozenay, a small village of Sa\u00f4ne-et-Loire in Burgundy. It was for us to pool our means of expression, our languages \u200b\u200band continue more than ever to share, express ourselves, surprise and confuse.<\/p>\n

Dans notre recherche artistique nous aimons m\u00ealer les mots, le son, la musique, le corps, le clown, le cirque, avec la particularit\u00e9 d’apporter une douce confusion des sens gr\u00e2ce \u00e0 la magie nouvelle. Ce croisement artistique se nourrit de rencontres et de collaborations avec des artistes et des techniciens qui enrichissent le travail de la compagnie en y d\u00e9posant leurs regards et leurs habilet\u00e9s.<\/p>\n

Nous aimons amener le spectacle au del\u00e0 des endroits convenus et attendus, investir l’espace public, y d\u00e9poser le souvenir d’une \u00e9motion, et lui rendre sa magie.
Nous aimons aussi revenir au th\u00e9\u00e2tre pour mieux le red\u00e9couvrir, profiter de l’\u00e9coute si particuli\u00e8re qui s’y cr\u00e9e. Nous aimons m\u00ealer les \u00e9critures, chercher des techniques mixtes et trouver la pr\u00e9cision, l\u2019exigence, le rire et le plaisir.<\/p>\n

And what we love more than anything is playing.\nIt is inviting each spectator to surrender for a moment and accept to lose many bearings.\nPlay and be moved together.<\/p>\n

Am\u00e9lie Venisse and Quentin Marotine<\/p>\n

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Because in a time of isolation, loneliness, invisible barriers, existential questions, reflections on the essential, we have looked inside us. So as not to get lost, to understand what is left, what matters. Because in the hour of tenacious and obstinate silence, our mouths stamp their feet, our instruments move, our hearts leap. So as not to get lost, to understand those who remain, what drives us.<\/p>\n

The company Just Before Oblivion is born following the confinement of March 2020 in Ozenay, a small village of Sa\u00f4ne-et-Loire in Burgundy. It was for us to pool our means of expression, our languages \u200b\u200band continue more than ever to share, express ourselves, surprise and confuse.<\/p>\n

Dans notre recherche artistique nous aimons m\u00ealer les mots, le son, la musique, le corps, le clown, le cirque, avec la particularit\u00e9 d’apporter une douce confusion des sens gr\u00e2ce \u00e0 la magie nouvelle. Ce croisement artistique se nourrit de rencontres et de collaborations avec des artistes et des techniciens qui enrichissent le travail de la compagnie en y d\u00e9posant leurs regards et leurs habilet\u00e9s.<\/p>\n

We like to bring the show beyond the agreed and expected places, invest the public space, leave the memory of an emotion there, and give it back its magic.\nWe also like to come back to the theater to better rediscover it, to enjoy the special listening that is created there. We like to mix the writings, to seek mixed techniques and to find the precision, the requirement, the laughter and the pleasure.<\/p>\n

And what we love more than anything is playing.
Invite each viewer to surrender for a moment and accept to lose many bearings.
Play and be moved.
Together.<\/p>\n

 <\/p>\n

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Artistes associ\u00e9s<\/h1>\n

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Quentin Marotine
<\/strong><\/h3>\n

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Am\u00e9lie Venisse<\/h3>\n

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Equipe artistique et technique<\/h1>\n

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<\/h3>\n

<\/h3>\n

Aby Mathieu<\/h3>\n

R\u00e9gie et cr\u00e9ation lumi\u00e8re<\/p>\n

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<\/h3>\n

<\/h3>\n

Thibault Condy<\/h3>\n

R\u00e9gie et cr\u00e9ation lumi\u00e8re<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#anthony\u00a0\u00bb]<\/p>\n

Anthony Venisse<\/h3>\n

Concepteur en effets magiques<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#corine\u00a0\u00bb]<\/p>\n

\n

Corine Godard<\/h3>\n

Costume designer
<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Nathalie Matriciani<\/h3>\n

Costume designer
<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#lisa\u00a0\u00bb]<\/p>\n

\n

Lisa Mazoyer<\/h3>\n

Graphic designer \/ illustrator<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Patrick Pleutin<\/h3>\n

Artiste Plasticien<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#Pierrick\u00a0\u00bb]<\/p>\n

\n

Pierrick Saillant<\/h3>\n

Ing\u00e9nieur son<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

\n

Laurent forest : Ils Scenent<\/h3>\n

Administratif et comptabilit\u00e9<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#Guillaume\u00a0\u00bb]<\/p>\n

\n

Guillaume Dulac<\/h3>\n

Regisseur g\u00e9n\u00e9ral \/ Ing\u00e9nieur son<\/p>\n

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membres du bureau<\/h1>\n

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Michael Ramalhosa<\/h3>\n

President<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#pascaline\u00a0\u00bb]<\/p>\n

Pascaline Saillant<\/h3>\n

Treasurer<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Marie Flick<\/h3>\n

Secretary<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb100%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb max_width=\u00a0\u00bb80%\u00a0\u00bb max_width_tablet=\u00a0\u00bb\u00a0\u00bb max_width_phone=\u00a0\u00bb100%\u00a0\u00bb max_width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6em|0px||0px|false|false\u00a0\u00bb custom_padding=\u00a0\u00bb|0px||0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/www.helloasso.com\/associations\/compagnie-juste-avant-l-oubli\/adhesions\/compagnie-juste-avant-l-oubli\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text=\u00a0\u00bbAdh\u00e9rer \u00e0 la compagnie\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb21px\u00a0\u00bb button_text_color=\u00a0\u00bb#A5272D\u00a0\u00bb button_bg_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb button_bg_image=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2021\/04\/cadrecrayon2.svg\u00a0\u00bb button_border_width=\u00a0\u00bb0px\u00a0\u00bb button_icon=\u00a0\u00bb%%45%%\u00a0\u00bb custom_margin=\u00a0\u00bb2em|1em|2em|0em|true|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_module=\u00a0\u00bb1436″ saved_tabs=\u00a0\u00bball\u00a0\u00bb][\/et_pb_button][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2021\/04\/ligneh2.svg\u00a0\u00bb title_text=\u00a0\u00bbligneh2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbPopup – #bio1″ module_id=\u00a0\u00bbbio1″ module_class=\u00a0\u00bbpopup close-alt single no-shadow\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0.87)\u00a0\u00bb max_width=\u00a0\u00bb50%\u00a0\u00bb max_width_tablet=\u00a0\u00bb\u00a0\u00bb max_width_phone=\u00a0\u00bb100%\u00a0\u00bb max_width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb80%\u00a0\u00bb height=\u00a0\u00bb80%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|0px|0px|false|false\u00a0\u00bb da_is_popup=\u00a0\u00bbon\u00a0\u00bb da_popup_slug=\u00a0\u00bbbio1″ da_is_singular=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bbon\u00a0\u00bb da_has_shadow=\u00a0\u00bboff\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb14px\u00a0\u00bb header_font=\u00a0\u00bbMosk||||||||\u00a0\u00bb background_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb2em|2em|2em|2em|true|true\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb\u00a0\u00bb text_font_size_phone=\u00a0\u00bb16px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb]<\/p>\n

AM\u00c9LIE VENISSE
<\/span><\/h1>\n

En 2005, Am\u00e9lie sort dipl\u00f4m\u00e9e de l\u2019Ecole Sup\u00e9rieure des Arts du Cirque de Bruxelles en tant que trap\u00e9ziste.<\/p>\n

Tr\u00e8s vite, elle int\u00e8gre le clown dans son travail et remporte quelques prix (Festival mondial du cirque de demain, Solycirco\u2026) et se produit sur de nombreuses sc\u00e8nes (GOP-variete, Wintergarten, la TOHU\u2026) avec son personnage Mademoiselle Cerise.<\/p>\n

It\u2019s magic's turn to enter her creative process and she has been running a quick-change issue internationally since 2016.
En 2018, elle suit la formation de Magie Nouvelle au CNAC \u00e0 Ch\u00e2lons-en-Champagne sous la direction de Rapha\u00ebl Navarro et Valentine Losseau.\u00a0Elle y donne aujourd\u2019hui des cours de quick-change.<\/p>\n

Alongside her career as a circus artist, Am\u00e9lie is a songwriter and singer and accordion performer for the duo \"Les Folles de L\u00e9on\".<\/p>\n

Elle a travaill\u00e9 ou travaille encore avec diff\u00e9rentes compagnie (Underclouds Cie, Cirque Hirsute<\/i>\u2026)<\/p>\n

Am\u00e9lie est \u00e9galement interpr\u00e8te du spectacle Vue,\u00a0Cie Sac\u00e9kripa<\/i>, solo pour manipulatrice d\u2019objet depuis mai 2022.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbPopup – #bio2″ module_id=\u00a0\u00bbbio2″ module_class=\u00a0\u00bbpopup close-alt single no-shadow\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0.87)\u00a0\u00bb max_width=\u00a0\u00bb50%\u00a0\u00bb max_width_tablet=\u00a0\u00bb\u00a0\u00bb max_width_phone=\u00a0\u00bb100%\u00a0\u00bb max_width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb80%\u00a0\u00bb height=\u00a0\u00bb80%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|0px|0px|false|false\u00a0\u00bb da_is_popup=\u00a0\u00bbon\u00a0\u00bb da_popup_slug=\u00a0\u00bbbio2″ da_is_singular=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bbon\u00a0\u00bb da_has_shadow=\u00a0\u00bboff\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb14px\u00a0\u00bb header_font=\u00a0\u00bbMosk||||||||\u00a0\u00bb background_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_padding=\u00a0\u00bb2em|2em|2em|2em|true|true\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb\u00a0\u00bb text_font_size_phone=\u00a0\u00bb16px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb]<\/p>\n

Quentin Marotine<\/h1>\n
\n
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\n
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Quentin commence la musique en autodidacte avant d’inte\u0301grer le CRR du Grand Chalon en 2004 ou\u0300 il suit le cycle de formation jazz sous la direction des saxophonistes Sylvain Beuf puis Olivier Py.\u00a0<\/span><\/p>\n

En 2006, il co-fonde la compagnie de musique de rue <\/span>Impe\u0301rial Kikiristan<\/span>.
L\u2019anne\u0301e suivante, il de\u0301couvre le jeu clownesque au Hangar des Mines, p\u00e9dagogie \u00e9labor\u00e9e par Michel Dallaire.\u00a0C’est une \u00e9tape marquante de son apprentissage artistique qui sera d\u00e9cisive dans sa volont\u00e9 de m\u00e9langer sa pratique instrumentale \u00e0 d\u2019autres formes artistiques.<\/span><\/p>\n

A partir de 2013, int\u00e9ress\u00e9 par la musique \u00e9lectroacoustique et la manipulation sonore en temps r\u00e9el, Quentin\u00a0s’oriente vers la mise en place de dispositifs e\u0301lectroniques.
Il se forme notamment aupre\u0300s des compositeurs Oliviers Sens, Philippe Ollivier ou encore Michel Risse.<\/span><\/p>\n

Son inte\u0301re\u0302t pour les arts du cirque<\/span>\u00a0l’ame\u0300ne a\u0300 inte\u0301grer en 2020 la formation Magie Nouvelle au CNAC a\u0300 Chalon-en- Champagne sous la direction de Raphae\u0308l Navarro et Valentine Losseau (Cie 14:20).<\/span><\/p>\n

La Magie Nouvelle lui ouvre un nouveau champs d’exp\u00e9rimentation sc\u00e9nique, de recherche sonore et continue de nourrir sa d\u00e9marche artistique sous de multiples formes.<\/span><\/p>\n

Depuis 2022, il suit la classe d\u2019Armando Balice et le cursus de composition e\u0301lectroacoustique au CRR du Grand Chalon en vue de l’obtention d’un DEM en 2026. <\/span><\/p>\n

Parall\u00e8lement il entame un cycle de formation sur la cr\u00e9ation sonore radiophonique au Phonurgia Nova et profite des enseignements de Benoit Bories, Marc-Antoine Granier, Sophie Berger, Marc Namblard et Jeanne Debarsy.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbPopup – #pascaline\u00a0\u00bb module_id=\u00a0\u00bbpascaline\u00a0\u00bb module_class=\u00a0\u00bbpopup close-alt single no-shadow\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0.87)\u00a0\u00bb max_width=\u00a0\u00bb50%\u00a0\u00bb max_width_tablet=\u00a0\u00bb\u00a0\u00bb max_width_phone=\u00a0\u00bb100%\u00a0\u00bb max_width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb80%\u00a0\u00bb height=\u00a0\u00bb80%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|0px|0px|false|false\u00a0\u00bb da_is_popup=\u00a0\u00bbon\u00a0\u00bb da_popup_slug=\u00a0\u00bbpascaline\u00a0\u00bb da_is_singular=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bbon\u00a0\u00bb da_has_shadow=\u00a0\u00bboff\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb14px\u00a0\u00bb header_font=\u00a0\u00bbMosk||||||||\u00a0\u00bb background_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_padding=\u00a0\u00bb2em|2em|2em|2em|true|true\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb\u00a0\u00bb text_font_size_phone=\u00a0\u00bb16px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb]<\/p>\n

Pascaline Saillant
<\/span><\/h1>\n

Pascaline is a film producer, she was also a projectionist, when the films were still on film.
She loves weird movies, beautiful books, Rebecca's sequined dresses, Jean-Cluc's sounds, and forest gardens.
Treasurer, she doesn't like mental arithmetic, but likes spreadsheets.<\/p>\n

 <\/p>\n

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Elisa Gourlier
<\/span><\/h1>\n
\u00a0Elisa is a teacher of socio-cultural education in the civilian world. Very invested in the cultural life of Tournus, in Galpon in particular, she has worked for a long time with Am\u00e9lie and Quentin. It is with great joy that she takes over the administration of the company.<\/div>\n

 <\/p>\n

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Fran\u00e7oise Carraud
<\/span><\/h1>\n

Fran\u00e7oise is a teacher of education and training sciences and a charmed grandmother.
<\/span>She loves trees and words, stories, shows\u2026 people.
<\/span>She is the secretary of the company.<\/span><\/p>\n

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Yann Trenel
<\/span><\/h1>\n

Physiotherapist masseur, amateur musician, involved in various associations for 10 years, Yann has always preferred to be an actor rather than a spectator of local cultural life.<\/p>\n

 <\/p>\n

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Lisa Mazoyer
<\/span><\/h1>\n

Making pictures, drawing, creating with her hands, she couldn't say when she started\u2026 it has always been there, familiar. Lisa has set up her studio in Tournus, where she also devotes time to the cultural association Chez ta soeur, which she co-founded. She works both on personal creations, leads workshops and also offers graphic design and communication services.
In particular, she created the logo for the company Just Before Oblivion and the poster for the show Ma Louve.<\/p>\n

 <\/p>\n

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Pierrick Saillant<\/h1>\n

Ing\u00e9nieur du son de formation, ayant d\u00e9but\u00e9 dans le milieu du live, Pierrick Saillant a depuis explor\u00e9 d’autres univers. Il a particip\u00e9 \u00e0 de nombreux projets d’art parmi les plus ambitieux de ces derni\u00e8res ann\u00e9es, il y d\u00e9ploie ses talents en show control, diffusion sonore, vid\u00e9o, programmation et \u00e9lectronique.<\/p>\n

 <\/p>\n

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Guillaume Dulac<\/h1>\n

Guillaume sort dipl\u00f4m\u00e9 du Conservatoire National Sup\u00e9rieur de Paris en tant qu’ing\u00e9nieur du son – musicien en 2003.<\/p>\n

Il a depuis, sonoris\u00e9 de nombreux artistes sur sc\u00e8ne, parmi lesquels Fatoumata Diawara, Rodolphe Burger, Archie Shepp, Jacques Higelin et Jeanne Added.<\/p>\n

Il a \u00e9galement travaill\u00e9 sur les spectacles de Robert Wilson et James Thierr\u00e9e et sonoris\u00e9 diff\u00e9rents op\u00e9ras.<\/div>\n
Au del\u00e0 de ses multiples exp\u00e9riences de tourn\u00e9es, captations et travail en post-production, Guillaume est \u00e9galement responsable du P\u00f4le son en classe pr\u00e9paratoire aux Grandes Ecoles PTSI M\u00e9tiers du Son au Conservatoire r\u00e9gional de Chalon sur Sa\u00f4ne depuis 2013.<\/div>\n
\u00a0<\/i><\/div>\n
Il a rejoint la Compagnie Juste avant l’oubli pendant la cr\u00e9ation de Ma Louve en 2022.<\/div>\n

 <\/p>\n

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COrine Godard
<\/span><\/h1>\n

Corine Godard is a costume designer. She began in the 90s with the Actea Company, Jean-Pierre Dupuy then worked for many years at the National Choreographic Center of Caen under the direction of Karine Saporta. She also brings her creativity to numerous projects, notably with the dancer choreographer Anna Ventura, during creations at the National Dramatic Center of Caen or at the Com\u00e9die de Caen.
More recently, Corine has worked with Russian artists Asya Kosina and Dimitri Kozin, the Arrivedercho Company, or for the German cabaret GOP variete de Bonn. She also brought her valuable skills to the making of some costumes for Anthony and Am\u00e9lie Venisse\u2019s quick-change number.<\/p>\n

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Anthony Venisse
<\/span><\/h1>\n

Anthony is Am\u00e9lie's brother. After 10 years of piano studies and training at the Rudra-B\u00e9jart dance school Lausanne and at the Circus Space in London, he continued his training at the National Circus School of Montreal where he specialized in swinging trapeze and clownish game.
From then on Anthony took to the stage as a clown and an acrobat. He cultivates a particular passion for creation and directing. In 2007, he produced his own one-clown show around a piano: Le Concierge.
Since then, Anthony has been directing both for GOP-Variet\u00e9 cabarets in Germany and for the Montreal Completely Cirque festival, for which he conceived and developed in 2010 the concept of Completely Cirque Minutes, which he directed for ten years. He is also an artistic trainer and choreographer of numbers at Cirque du Soleil.
Fascinated by magic, he develops, in a duo Am\u00e9lie, a clownish number built mainly around the technique of quick-change.<\/p>\n

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