{"id":12,"date":"2021-03-02T11:51:53","date_gmt":"2021-03-02T10:51:53","guid":{"rendered":"https:\/\/www.justeavantloubli.com\/?page_id=12"},"modified":"2025-09-05T17:29:23","modified_gmt":"2025-09-05T15:29:23","slug":"actualites","status":"publish","type":"page","link":"https:\/\/www.justeavantloubli.com\/fr_fr\/actualites\/","title":{"rendered":"Festival Un Apr\u00e8s-midi \u00e0 Chavy"},"content":{"rendered":"

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Toute l\u2019ann\u00e9e, la Cie Juste Avant l\u2019Oubli installe sa sc\u00e8ne aux quatre coins de la France en faisant voyager les notes et les mots \u00e0 travers les villes et les campagnes. Alors le temps d\u2019un week-end, elle pose ses valises et propose \u00ab Un apr\u00e8s-midi \u00e0\u00a0Chavy \u00bb.<\/p>\n

Apr\u00e8s la folie et les turpitudes de la rentr\u00e9e, le festival o\ufb00re une parenth\u00e8se avant de clore d\u00e9finitivement l\u2019\u00e9t\u00e9.<\/p>\n

Une parenth\u00e8se pour\u00a0d\u00e9couvrir des talents \u00e9mergents, des artistes\u00a0amateurs, des compagnies professionnelles\u2026Une parenth\u00e8se pour participer \u00e0 un atelier philosophique ou s\u2019\u00e9merveiller devant une\u00a0exposition aux couleurs exub\u00e9rantes, pour se\u00a0retrouver, pour partager, pour vibrer ensemble !<\/p>\n

Un Apr\u00e8s-midi \u00e0 Chavy s\u2019inscrit dans la\u00a0dynamique associative locale apportant la\u00a0sp\u00e9cificit\u00e9 et la sensibilit\u00e9 artistique de la\u00a0compagnie. L\u2019objectif est de cr\u00e9er du lien dans\u00a0nos villages gr\u00e2ce aux rencontres artistiques et\u00a0rassembler des b\u00e9n\u00e9voles de tous horizons.<\/p>\n

Apr\u00e8s la r\u00e9ussite des deux pr\u00e9c\u00e9dentes \u00e9ditions,\u00a0passons ensemble un troisi\u00e8me apr\u00e8s-midi \u00e0 Chavy<\/p>\n

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Partenaires<\/h2>\n

R\u00e9alis\u00e9 avec le soutien de : <\/strong>\u00a0Fonds pour le D\u00e9veloppement de la Vie Associative (FDVA) du\u00a0Minist\u00e8re de l’\u00e9ducation nationale de la jeunesse et des sport<\/a><\/span>\u00a0\u2013 \u00a0R\u00e9gion Bourgogne Franche-Comt\u00e9<\/a> \u2013\u00a0<\/span>Conseil D\u00e9partemental de Sa\u00f4ne-et-Loire\u00a0<\/a>\u2013 Communaut\u00e9 de Communes du\u00a0<\/a><\/span>M\u00e2connais-Tournugeois<\/a> \u2013\u00a0<\/span>Commune d\u2019Ozenay<\/a><\/p>\n

Clos des Vignes du Maynes<\/a> – Aux Terrasses<\/a> – Herv\u00e9 Philippe<\/a> – Zigzag V\u00e9lo<\/a> – Imprimerie Shenck<\/a> – Domaine du Ch\u00e2teau de Messey<\/a> – Immobili\u00e8re de l’abbaye<\/a> – Domaine de l’Echelette<\/a> – CA centre-est – Domaine viticole Alexis de Benoist<\/a> – P\u00e9pini\u00e8re Viticole Isabelle Meunier – Dominique Chardonnay – Menuiserie Pautet<\/a><\/p>\n

Et l’immense soutien de :<\/strong> Olivier et Marianne Dyer, nos h\u00f4tes durant le festival, les habitants du hameau de Chavy, plus de 50 b\u00e9n\u00e9voles ainsi que l’\u00e9quipe technique de l’association.<\/p>\n

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Programmation\u00a0<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Programmation.jpg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb99.9%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb|||-178px||\u00a0\u00bb custom_padding=\u00a0\u00bb||113px||false|false\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb37px\u00a0\u00bb header_font_size=\u00a0\u00bb81px\u00a0\u00bb custom_padding=\u00a0\u00bb||71px|||\u00a0\u00bb]<\/p>\n

Samedi<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_5,2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb434px\u00a0\u00bb custom_margin=\u00a0\u00bb-29px|105px|29px|177px|false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

<\/strong><\/span><\/span>Le cri de la b\u00e9casse \u00a0Duo de chanson\u00a0<\/span><\/span>acoustique\u00a0<\/span><\/span><\/h1>\n

Fran\u00e7oise Pierret : <\/b>compositions, chant, guitare, tuba<\/p>\n

Pierre Philibert : <\/strong>contrebasse, tuba, chant, ukul\u00e9l\u00e9<\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a030 minutes<\/span><\/p>\n

Jauge non limit\u00e9e\u00a0<\/b><\/span><\/span><\/p>\n

Tout public\u00a0<\/span><\/em><\/p>\n

Repr\u00e9sentations : 14h30, 16h et 17h<\/span><\/strong><\/p>\n

La B\u00e9casse est un oiseau qui symbolise la sagesse, la discr\u00e9tion et la perspicacit\u00e9 elle nous invite \u00e0 \u00e9couter notre intuition et \u00e0 suivre notre propre chemin, \u00e0 s\u2019ouvrir \u00e0 la beaut\u00e9 de la nature et laisser libre cous \u00e0 notre imagination …. Tout un programme !
Compositions originales et reprises de titres de grands auteurs (Boris Vian, Brigitte Fontaine, Brel… ) agr\u00e9mentent un r\u00e9pertoire satirique o\u00f9 il est question de force vitale, d\u2019int\u00e9riorit\u00e9, d\u2019existentialisme…le tout men\u00e9 avec sensibilit\u00e9, humour et ironie, les chansons sont port\u00e9es par une esth\u00e9tique, une sc\u00e9nographie l\u00e9ch\u00e9e et deux personnages hauts en couleur!<\/p>\n

Les influences sont :
Le jazz, la chanson fran\u00e7aise, les musiques du monde et contemporaines.
Ce duo \u00abtout terrain\u00bb s\u2019adapte \u00e0 toute sorte de lieux intimistes de la petite salle au concert d’appartement mais aussi \u00e0 la rue, les jardins, les cours…<\/p>\n

D\u00e9couvrez-les en vid\u00e9o :<\/span>
https:\/\/youtu.be\/EpH2VPEve6Y?si=P0CxED3sLQA-fJdL<\/a>
https:\/\/youtu.be\/r2fZc-HFAZU?si=Ol-0gXi119z2tfah<\/a><\/p>\n

Facebook@Le cri de la B\u00e9casse<\/a>\u00a0<\/span><\/p>\n

<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Cri-de-la-Becasse-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbCri de la B\u00e9casse\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb custom_margin=\u00a0\u00bb|-4px||||\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_5,2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb833px\u00a0\u00bb custom_margin=\u00a0\u00bb12px|105px|-36px|auto|false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px|0px|false|false\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

<\/strong><\/span><\/span>Le Bruit des Paillettes \u00a0Lecture musicale \u00e0 \u00e9couter au casque<\/span><\/span><\/h1>\n

Cie Juste avant\u00a0<\/strong><\/span><\/span>l’oubli<\/b><\/span><\/span><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a040 minutes<\/span><\/span><\/p>\n

Jauge limit\u00e9e :<\/b>\u00a0R\u00e9servation \u00e0 l’entr\u00e9e du site<\/span><\/span><\/p>\n

Tout public \u00e0 partir de 8 ans<\/span><\/em><\/p>\n

Repr\u00e9sentations : 15h et 17h le samedi et 11h30 le dimanche<\/span><\/strong><\/p>\n

Magdal\u00e9na \u00e9tait trap\u00e9ziste. Elle est maintenant dans un \u00ab\u00a0\u00e9tablissment pour personnes \u00e2g\u00e9es\u00a0\u00bb.<\/span>
Sa m\u00e9moire fout le camp, tout comme ses muscles qui ne r\u00e9pondent plus. Mais Magdalena se souvient. Malgr\u00e8s tout.<\/span>
Elle s’accroche \u00e0 ses souvenirs qui sentent la sciure et le velours, comme elle tenait bon la barre de son trap\u00e8ze autrefois.<\/span>
La loge est vide devant nous. Seul son quotidien nous parvient aux oreilles. Et l’on s’abandonne \u00e0 ses souvenirs, ses sourires…et \u00e0 notre propre nostalgie.<\/p>\n

Ecriture, interpr\u00e9tation : Am\u00e9lie Venisse<\/span>
Cr\u00e9ation sonore, live \u00e9lectronique : Quentin Marotine
Regard ext\u00e9rieur : Jeanne Desoubeaux
Construction sc\u00e9ngraphie et effets magiques : Guillaume Dulac
Cr\u00e9ation lumi\u00e8re : Thibault Condy
Costumes : Nathalie\u00a0Matraciani<\/p>\n

Production : Juste avant l’oubli\u00a0<\/em><\/span><\/p>\n

Aides \u00e0 la cr\u00e9ation, soutiens et accueils en r\u00e9sidence :<\/strong><\/span>
La Pimenterie \u2013 Le Re\u0301servoir \u2013 Ils Sce\u0300nent \u2013 Les Accords du Lion d\u2019or \u2013 The\u0301a\u0302tre de l\u2019Unite\u0301 \u2013 Cirq\u2019o\u0302nflex \u2013 The\u0301a\u0302tre Mansart \u2013 The\u0301a\u0302tre de la Bouloie \u2013 Espace des Arts, Sce\u0300ne Nationale de Chalon-sur-Sao\u0302ne<\/em><\/span><\/p>\n

Re\u0301gion Bourgogne Franche-Comte\u0301 \u2013 Conseil de\u0301partemental de Sao\u0302ne-et-Loire<\/em><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/BDP2-1-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbBDP2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/BDP1-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbBDP1″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb560px\u00a0\u00bb custom_margin=\u00a0\u00bb|95px||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb106px|||0px||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

<\/strong><\/span><\/span>H\u00f4tel Dalida \u00a0Th\u00e9\u00e2tre musical<\/span><\/span><\/h1>\n

Claudine Leb\u00e8gue<\/b><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a060 minutes<\/span><\/span><\/p>\n

Jauge limit\u00e9e :\u00a0<\/b>R\u00e9servation \u00e0 l’entr\u00e9e du site<\/span><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 16h15\u00a0<\/span><\/strong><\/p>\n

<\/span><\/p>\n

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Avec son style Perfecto-Gitanes-uppercut, \ud835\udc02\ud835\udc25\ud835\udc1a\ud835\udc2e\ud835\udc1d\ud835\udc22\ud835\udc27\ud835\udc1e \ud835\udc0b\ud835\udc1e\ud835\udc1b\ud835\udc1e\u0300\ud835\udc20\ud835\udc2e\ud835\udc1e, chanteuse et com\u00e9dienne, se frotte \u00e0 l\u2019\ud835\udc2e\ud835\udc27\ud835\udc22\ud835\udc2f\ud835\udc1e\ud835\udc2b\ud835\udc2c \u00ab\u00a0\ud835\udc11\ud835\udc28\ud835\udc1b\ud835\udc1e\ud835\udc2c-\ud835\udc29\ud835\udc1a\ud835\udc22\ud835\udc25\ud835\udc25\ud835\udc1e\ud835\udc2d\ud835\udc2d\ud835\udc1e\ud835\udc2c\u00a0\u00bb \ud835\udc1d\ud835\udc1e \ud835\udc03\ud835\udc1a\ud835\udc25\ud835\udc22\ud835\udc1d\ud835\udc1a. Et c\u2019est toute une f\u00eate qui s\u2019invite sur sc\u00e8ne.<\/div>\n
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\u00c0 ses c\u00f4t\u00e9s : \ud835\udc00\ud835\udc25\ud835\udc1e\ud835\udc31\ud835\udc1a\ud835\udc27\ud835\udc1d\ud835\udc2b\ud835\udc1e \ud835\udc0b\ud835\udc1e\ud835\udc22\ud835\udc2d\ud835\udc1a\ud835\udc28, accord\u00e9oniste inspir\u00e9 (T\u00eates Raides, Lo\u00efc Lantoine, Abd Al Malik\u2026) qui fait vibrer les mots autant que les notes.<\/div>\n
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Site : <\/span>http:\/\/claudine.lebegue.free.fr<\/a><\/span><\/div>\n<\/div>\n
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[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Hotel-Dalida-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbH\u00f4tel Dalida\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb798px\u00a0\u00bb custom_margin=\u00a0\u00bb|95px||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb28px|||0px||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Choeur-des-amants-14\u00a9Filipe-Ferreira-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbChoeur des amants 14\u00a9Filipe Ferreira\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Choeur-des-amants-3\u00a9Filipe-Ferreira-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbChoeur des amants 3\u00a9Filipe Ferreira\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

Le Choeur des amants \u00a0Th\u00e9\u00e2tre\u00a0<\/span><\/span><\/h1>\n

Texte et mise en sc\u00e8ne : Tiago Rodrigues
Sc\u00e9nographie : Magda Bizarro et Tiago Rodrigues
Lumi\u00e8res : Manuel Abrantes
Costumes : Magda Bizarro
Traduction du texte : Thomas Resendes<\/p>\n

Avec \u00a0Alma Palacios \u00a0et David Geselson<\/p>\n

Remerciements \u00e0 Andr\u00e9 Pato, Cl\u00e1udia Gaiolas, T\u00f3nan Quito, Cristina Vicente et Nuno Meira.<\/p>\n

Production :<\/strong> Centre International de Cr\u00e9ations Th\u00e9\u00e2trales \/ Th\u00e9\u00e2tre des Bouffes du Nord
Coproduction :<\/strong> Espace 1789 \/ Saint-Ouen
Avec le soutien de Sc\u00e8nes du Golfe \/ Th\u00e9\u00e2tres Arradon \u2013 Vannes
Le texte de Ch\u0153ur des amants est publi\u00e9 aux \u00e9ditions Les Solitaires Intempestifs<\/em><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a045 minutes<\/span><\/span><\/p>\n

Jauge non limit\u00e9e<\/strong><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 18h00\u00a0<\/span><\/strong><\/p>\n

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Ch\u0153ur des amants, de Tiago Rodrigues, est un r\u00e9cit lyrique de deux amants confront\u00e9s \u00e0 une
situation limite de vie ou de mort o\u00f9 l\u2019oxyg\u00e8ne commence \u00e0 se faire rare. <\/span><\/div>\n
Deux acteurs\/amants nous racontent, simultan\u00e9ment, des versions l\u00e9g\u00e8rement diff\u00e9rentes d\u2019une m\u00eame histoire, c\u00e9l\u00e9brant l\u2019amour quand tout est remis en cause, mais sans savoir comment proc\u00e9der avec la normalit\u00e9.<\/a><\/span><\/div>\n
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Un aper\u00e7u ici : <\/span>https:\/\/vimeo.com\/740394328<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n

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jur \u00a0Concert<\/span><\/span><\/h1>\n

Cridacompany<\/b><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a060 minutes<\/span><\/p>\n

Jauge non limit\u00e9e<\/strong><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 19h45<\/span><\/strong><\/p>\n

Julien Vittecoq : piano, guitare, accord\u00e9on<\/span>
S\u00e9bastien Bacquias : contrebasse<\/span><\/span>
Jur Domingo : chant<\/span><\/p>\n

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Entre chansons en fran\u00e7ais, espagnol et catalan, influences circassiennes et \u00e9nergie brute, ce groupe inclassable vous emporte dans un <\/a><\/span>univers intense et d\u00e9cal\u00e9.<\/div>\n<\/div>\n
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Sur sc\u00e8ne, Jur Domingo, voix magn\u00e9tique et corps habit\u00e9, fusionne avec ses musiciens pour un concert hors norme, tiss\u00e9 de sons \u00e9lectro-bricol\u00e9s, de guitare fi\u00e9vreuse et de percussions tribales.<\/div>\n<\/div>\n

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Site : www.jurmusique.com<\/a><\/span><\/span><\/span><\/div>\n<\/div>\n
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www.cridacompany.org<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/JUR-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbJUR\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb1px||0px|||\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb da_is_popup=\u00a0\u00bboff\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bboff\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_is_singular=\u00a0\u00bboff\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb da_has_shadow=\u00a0\u00bbon\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb576px\u00a0\u00bb custom_margin=\u00a0\u00bb|102px||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb28px|||0px||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Sola-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbSola\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

sola\u00a0\u00a0Concert entre synth pop, cold et new wave<\/span><\/span><\/h1>\n

Avec\u00a0Marina Keltchewsky<\/span><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a045 minutes<\/span><\/p>\n

Jauge non limit\u00e9e<\/strong><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 21h15\u00a0<\/span><\/strong><\/p>\n

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Le point de d\u00e9part ? Un karaok\u00e9 de minuit, o\u00f9 chacun chante les tubes de son adolescence\u2026 sauf qu\u2019ici, c\u2019est elle qui prend les platines. Marina nous livre les refrains de ses propres souvenirs, ceux qu\u2019elle a entendus en grandissant. Des chansons venues d\u2019ailleurs, de l\u2019Est, que beaucoup n\u2019ont peut-\u00eatre jamais \u00e9cout\u00e9es sauf si vous avez pass\u00e9 votre jeunesse dans :<\/div>\n<\/div>\n
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les steppes kazakhes<\/div>\n
la banlieue de Kyiv<\/div>\n
les montagnes de Transcaucasie<\/div>\n
ou au bord de la mer Adriatique.<\/div>\n<\/div>\n
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Un renversement de perspective musical, intime, dansant, inattendu.<\/div>\n
Un moment \u00e0 part, entre \u00e9lectro nostalgique et performance personnelle.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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nossos monstros \u00a0\u00a0Impromptus circassiens<\/span><\/span><\/h1>\n

De Anna Ward avec\u00a0avec <\/span>Lena Simeon de Buochberg<\/span><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a015 minutes<\/span><\/p>\n

Jauge non limit\u00e9e<\/strong><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : \u00a0plusieurs passages dans la journ\u00e9e…<\/span><\/strong><\/p>\n

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Comment les singularit\u00e9s de chaque personnalit\u00e9 fa\u00e7onnent-elles nos fonctions quotidiennes ?\u00a0<\/span><\/p>\n

Comment ces singularit\u00e9s changent-elles d\u2019amplitude en fonction de notre entourage ?<\/span>\u00a0<\/span><\/p>\n

Comment ces singularit\u00e9s donnent-elles forme \u00e0 diff\u00e9rentes strat\u00e9gies en cas de menace ?<\/p>\n

La chor\u00e9graphe Anna Ward s\u2019interroge \u00e0 propos du lien entre les capacit\u00e9s des corps de cirque en fonction de leurs capacit\u00e9s physiques et mentales et leur \u201cr\u00e9ponse combat – fuite\u201d. Elle analyse ces sch\u00e9mas de mouvement instinctifs face \u00e0 des situations d\u2019urgence en soulignant comment diff\u00e9rentes r\u00e9actions correspondent \u00e0 certaines disciplines de cirque. Sa recherche chor\u00e9graphique s’efforce d’\u00e9tablir un parall\u00e8le entre les d\u00e9fis auxquels tous les humains sont confront\u00e9s dans la vie quotidienne et la prise de risque et savoir faire des corps de cirque.<\/p>\n

\u00a0Cette cr\u00e9ation est une exploration des comp\u00e9tences des artistes pour souligner leur processus de pens\u00e9e singuli\u00e8re et leurs capacit\u00e9s extr\u00eames. Le projet s’interroge sur ce qui peut conduire un individu \u00e0 para\u00eetre monstrueux face \u00e0 un danger pour rester en s\u00e9curit\u00e9. En examinant l\u2019origine du comportement d\u2019un individu sur une \u00e9chelle d’expression allant du d\u00e9tail \u00e0 l\u2019exag\u00e9ration, le travail vise \u00e0 mieux comprendre le comportement qui nous \u00e9chappe dans \u201cl\u2019Autre\u201d.<\/span>\u00a0<\/span><\/p>\n

\u00a0Cette recherche est une offrande pacifique au monde, une proposition de regarder l’autre d\u2019un point de vue diff\u00e9rent ainsi qu’une invitation \u00e0 examiner nos propres qualit\u00e9s monstrueuses comme une m\u00e9thode pour vivre avec ce que nous ne pouvons pas comprendre.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Dimanche<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb326px\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb da_is_popup=\u00a0\u00bboff\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bboff\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_is_singular=\u00a0\u00bboff\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb da_has_shadow=\u00a0\u00bbon\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb541px\u00a0\u00bb custom_margin=\u00a0\u00bb|111px||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb28px|||0px||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

repas au ch\u00e2teau \u00a0<\/h1>\n

Moment de convivialit\u00e9 autour d\u2019un menu pr\u00e9par\u00e9 par jean-Michel Carrette et son \u00e9quipe. Chef \u00e9toil\u00e9 du restaurant Aux Terrasses.<\/span><\/p>\n

Repas : <\/span>12h30<\/span><\/strong><\/p>\n

Jauge limit\u00e9e – r\u00e9servation n\u00e9cessaire :<\/strong>\u00a0Pour r\u00e9server, cliquez sur le lien suivant :\u00a0Un repas au ch\u00e2teau de Chavy<\/a>\u00a0<\/p>\n

Jean-Michel et Amandine Carrette, l’\u00e9quipe du restaurant \u00e9toil\u00e9 \u00ab\u00a0Aux Terrasses\u00a0\u00bb et la Cie Juste avant l’oubli, vous invitent \u00e0 partager un moment de convivialit\u00e9 dans le cadre du festival Un Apr\u00e8s-midi \u00e0 Chavy!<\/span><\/p>\n

Venez d\u00e9guster un repas bucolique au Ch\u00e2teau de Chavy!<\/span><\/p>\n

Menu <\/b>\u00a0<\/b><\/p>\n

Soupe froide tomate basilic, accompagn\u00e9e de sa tartine de rillettes de silure<\/div>\n
******<\/div>\n
Cuisse de poulet marin\u00e9e cuite au charbon de bois<\/div>\n
Pommes de terre au four, cr\u00e8me moutarde et herbes potag\u00e8res<\/div>\n
******<\/div>\n
Les Douceurs sucr\u00e9es de Tomomi<\/div>\n
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\u00a0<\/em><\/div>\n
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Tarif : 30 euros.<\/strong><\/div>\n<\/div>\n

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pieds nus sur la banquise \u00a0Concert\u00a0<\/span><\/span><\/h1>\n

Avec\u00a0Nicolas Aubry et Jean-Luc Pellegrini<\/span><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a02×45 minutes<\/span><\/p>\n

Jauge non limit\u00e9e<\/b><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 12h30\u00a0<\/span><\/strong><\/p>\n

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Un <\/a><\/span>p’tit duo intimiste de chanson fran\u00e7aise.<\/div>\n
On rit beaucoup avec Nicolas Aubry et Jean-Luc Pellegrini, deux gar\u00e7ons qui racontent des histoires en musique, vous attrapent le c\u0153ur et font parfois mouiller les yeux\u2026<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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la boite \u00e0 chanson \u00a0Concert\u00a0<\/span><\/span><\/h1>\n

Chorale\u00a0du foyer rural d\u2019Ozenay<\/span><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a045 minutes<\/span><\/p>\n

Jauge non limit\u00e9e<\/b><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 14h30\u00a0<\/span><\/strong><\/p>\n

Depuis plus de vingt ans, cette chorale interg\u00e9n\u00e9rationnelle fait vibrer les voix d\u2019une quinzaine de chanteur\u00b7euses amateurs, unis par le plaisir simple de chanter ensemble.<\/div>\n
Cette ann\u00e9e, leur pr\u00e9sence prend une r\u00e9sonance particuli\u00e8re : ce sera la derni\u00e8re direction de leur cheffe Maryjo Dougy, figure ch\u00e8re \u00e0 l\u2019ensemble. Un moment fort, empreint d\u2019\u00e9motion, dans un cadre qui lui ressemble.<\/div>\n

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la tisseuse de mots \u00a0Contes pour enfants<\/span><\/span><\/h1>\n

C\u00e9cile Bignand<\/b><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a030 minutes<\/span><\/span><\/p>\n

Jauge limit\u00e9e : <\/b>R\u00e9servation \u00e0 l’entr\u00e9e du site<\/span><\/span><\/p>\n

3 \u00e0 8 ans<\/span><\/em><\/p>\n

Repr\u00e9sentations : 14h30 – 15h30 – 17h\u00a0<\/span><\/strong><\/p>\n

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<\/a><\/span><\/span><\/p>\n

Au fil de l’histoire, tisser ensemble les mots pour lever le voile sur des paysages imaginaires, merveilleux ou lointains…<\/div>\n
R\u00eavez au gr\u00e9 des contes tant\u00f4t po\u00e9tiques, tant\u00f4t comiques ou joliment m\u00e9lancoliques<\/div>\n<\/div>\n<\/div>\n
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[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Conteuse.jpg\u00a0\u00bb title_text=\u00a0\u00bbConteuse\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb798px\u00a0\u00bb custom_margin=\u00a0\u00bb|95px||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb28px|||0px||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Raoul-Gilbert-s4-mains-03-2025-HD-17-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bb4 Mains\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Raoul-Gilbert-s4-mains-03-2025-HD-16-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bb4 Mains\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

quatre mains \u00a0Th\u00e9\u00e2tre et musique d’Alexandre Koutchevsky<\/span><\/span><\/span><\/h1>\n

Mise en sc\u00e8ne : Jean Boillot<\/span>
\u00c9criture dramatique : Alexandre Koutchevsky<\/span>
Jeu et piano\u00a0: Aline Le Berre et Elios No\u00ebl\u00a0<\/span>
Assistanat \u00e0 la mise en sc\u00e8ne\u00a0: St\u00e9phanie Schwartzbrod<\/span>
Musique\u00a0: Franz Schubert<\/span>
Cr\u00e9ation lumi\u00e8re\u00a0: Ivan Mathis<\/span>
R\u00e9gie lumi\u00e8re\u00a0: Charline Dereims<\/span>
Production\u00a0: Mireille Regler<\/span><\/p>\n

Production : <\/b>La Spirale, compagnie conventionn\u00e9e par le minist\u00e8re de la Culture (DRAC Grand Est), par la R\u00e9gion Grand Est, le Conseil D\u00e9partemental de la Moselle et la Ville de Metz.<\/span><\/p>\n

Coproduction <\/b>: Espace 110 \/ Sc\u00e8ne conventionn\u00e9e d\u2019int\u00e9r\u00eat national \u00ab\u00a0arts et cr\u00e9ation\u00a0\u00bb, Illzach (68), Le Canal \/ Th\u00e9\u00e2tre du Pays de Redon (35). Avec le soutien du Centre des Bords de Marne.<\/span><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a01h20 minutes<\/span><\/span><\/p>\n

Jauge limit\u00e9e :<\/strong> R\u00e9servation \u00e0 l’entr\u00e9e du site<\/span><\/p>\n

Tout public \u00e0 partir de 14 ans<\/span><\/em><\/p>\n

Repr\u00e9sentation : 15h00\u00a0<\/span><\/strong><\/p>\n

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Aline et Elios se retrouvent.\u00a0<\/span><\/p>\n

Ils reprennent le piano avec un quatre-mains qu\u2019ils \u00e9tudiaient au Conservatoire de Nice 30 ans plus t\u00f4t : la Fantaisie en fa mineur de Schubert. Il s\u2019agit de pr\u00e9parer une myst\u00e9rieuse performance organis\u00e9e par Jean, un ancien camarade devenu artiste.<\/span><\/p>\n

Ils jouent et \u00e9voquent leur vie d\u2019avant : leurs \u00e9tudes musicales, leur amiti\u00e9 adolescente et la musique de Schubert, qui ne disant rien, disait d\u00e9j\u00e0 tout. De r\u00e9p\u00e9titions en r\u00e9p\u00e9titions remontent les souvenirs et les non-dits.<\/span><\/p>\n

Quatre Mains est le second opus du cycle \u00ab l\u2019Adolescence de l\u2019Art \u00bb (apr\u00e8s Les Imposteurs) : m\u00e9langeant des \u00e9l\u00e9ments fictionnels et biographiques des interpr\u00e8tes, il traite de la jeunesse, de l\u2019\u00e9preuve de la libert\u00e9, de la pens\u00e9e de sa vie, de la puissance de la musique. Il \u00e9voque le monde des \u00e9motions : comment elles nous laissent \u00e9trangers \u00e0 nous-m\u00eames, comment elles trouvent dans l\u2019art un espace pour \u00eatre au monde.<\/span><\/p>\n<\/div>\n<\/div>\n

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Will et walt \u00a0Magie Mentale & Th\u00e9\u00e2tre Burlesque<\/span><\/span><\/span><\/h1>\n

Cie Les Preneurs de T\u00eate<\/b><\/p>\n

Avec Nicolas Dewynter et Herv\u00e9 Duka<\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a060 minutes<\/span><\/span><\/p>\n

Jauge non limit\u00e9e \u00a0<\/b><\/span><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 15h15<\/span><\/strong><\/span><\/p>\n

Oubliez Las Vegas, la vraie magie vient des collines sombres de Kandysilvanie\u2026<\/span>
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Will et Walt Dorinka explorent les myst\u00e8res de votre esprit dans un spectacle aussi d\u00e9lirant que d\u00e9routant, o\u00f9 la magie mentale devient pr\u00e9texte \u00e0 rire, jouer et participer.<\/div>\n<\/div>\n
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T\u00e9l\u00e9pathie, m\u00e9moire pachydermique, exp\u00e9riences mentales absurdes\u2026<\/div>\n
Un show interactif, dr\u00f4le et impr\u00e9visible, qui d\u00e9poussi\u00e8re le mentalisme avec des souliers trou\u00e9s, des histoires de cousins et une gorg\u00e9e de gn\u00f4le locale en prime\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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quatuor nova \u00a0Quatuor \u00e0 corde\u00a0<\/span><\/span><\/h1>\n

Avec\u00a0Ignace Robert, Philippine Nicolas, Valentina Peyton-Navarro et Lili-Rose Marotine<\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a020 minutes<\/span><\/p>\n

Jauge limit\u00e9e :<\/strong> R\u00e9servation \u00e0 l’entr\u00e9e du site<\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 16h45\u00a0<\/span><\/strong><\/p>\n

N\u00e9 au d\u00e9but de l\u2019ann\u00e9e 2025 au Conservatoire \u00e0 Rayonnement R\u00e9gional du Grand Chalon, le quatuor a cordes NOVA r\u00e9unit quatre jeunes musiciens passionn\u00e9s, unis par le d\u00e9sir de faire d\u00e9couvrir la richesse et l\u2019intimit\u00e9 de la musique de chambre. Pour leur premier programme, ils proposent un voyage \u00e9clectique avec de grands compositeurs du r\u00e9pertoire tels que Haydn, Beethoven et Bart\u00f3k. D\u00e9j\u00e0 pr\u00e9sent\u00e9 avec succ\u00e8s au th\u00e9\u00e2tre Piccolo de Chalon-sur-Sa\u00f4ne, ce programme met en lumi\u00e8re leur complicit\u00e9 et leur \u00e9nergie communicative, offrant au public des instants \u00e0 la fois intenses et vivants.<\/span><\/span><\/strong><\/p>\n

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toco la toccata \u00a0Concert immersif<\/span><\/span><\/h1>\n

Philippe Ollivier Bandon\u00e9on, Logelloop<\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a060 minutes<\/span><\/p>\n

Jauge non limit\u00e9e<\/b><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 17h00\u00a0<\/span><\/strong><\/p>\n

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Du castillan tocar, \u2018jouer\u2019, et de l\u2019italien toccata, \u2018jou\u00e9e\u2019. Une toccata est une pi\u00e8ce de musique de forme libre, compos\u00e9e g\u00e9n\u00e9ralement pour un instrument \u00e0 clavier.<\/p>\n

Toco la Toccata est une \u0153uvre pour bandon\u00e9on et transformation informatique en temps r\u00e9el. Le bandon\u00e9on est jou\u00e9 en acoustique ou envelopp\u00e9 d\u2019un traitement sonore cr\u00e9\u00e9
en temps r\u00e9el par le logiciel Logelloop. Philippe Ollivier, compositeur, interpr\u00e8te et concepteur du logiciel, cr\u00e9e un genre musical unique m\u00ealant \u00e9criture, tradition orale et improvisation ou la programmation informatique fait partie int\u00e9grante de la composition musicale. La musique est modale et s\u2019inspire des \u00e9critures contemporaines r\u00e9p\u00e9titives et minimalistes.
Toco la Toccata est aussi un concert immersif, le spectateur se trouve au c\u0153ur de la vague sonore, il est en apesanteur dans un jeu d\u2019improvisation savamment orchestr\u00e9 entre le musicien et la machine.<\/p>\n

Philippe utilise aussi parfois un outil d\u2019analyse des mouvements des mains pour contr\u00f4ler l\u2019ordinateur, comme on utilise un Theremin. Le traitement du son devient alors sculpture et
l\u2019interpr\u00e8te manipule la mati\u00e8re organique du son.
Toco la Toccata est un concert en perp\u00e9tuel renouvellement, les pi\u00e8ces sont repens\u00e9es, modifi\u00e9es, r\u00e9\u00e9crites, et chaque ann\u00e9e de nouvelles propositions remplacent les plus anciennes.<\/p>\n

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one shot! \u00a0Cirque<\/span><\/span><\/span><\/h1>\n

Cie One Shot<\/b><\/p>\n

De et avec Maxime Dautremont & Foucauld Falguerolles
Mise en sc\u00e8ne : Benjamin de Matte\u00efs
Oreille complice : Mark Dehoux
Travail vocal et beat box : Gaspard Herblot<\/p>\n

R\u00e9alis\u00e9 avec le soutien de :
Centre des arts de la rue (Ath) \/ La Roseraie \/ Destelheide \/ Centre culturel du
Brabant Wallon \/ Woluculture \/ Espace Catastrophe<\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a040 minutes<\/span><\/span><\/p>\n

Jauge non limit\u00e9e \u00a0<\/b><\/span><\/span><\/p>\n

Tout public<\/span><\/em><\/p>\n

Repr\u00e9sentation : 18h30<\/span><\/strong><\/span><\/p>\n

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One Shot, parce que l’on n\u2019a qu\u2019un seul essai…
Cool comme le blues, nerveux comme le rock, ce spectacle revisite les vieux standards du cirque tout en libert\u00e9 d\u00e9complex\u00e9e.
\u00c7a glisse, \u00e7a teste le (d\u00e9s)\u00e9quilibre, \u00e7a hache et \u00e7a s\u2019abat. Au final, on a du mal \u00e0 trancher sur ce qui nous \u00e9pate le plus, l\u2019habilet\u00e9 des artistes ou l\u2019impr\u00e9visibilit\u00e9 des objets.
Rythm\u00e9s avec de la musique en live, les mouvements dans\u00e9s et acrobatiques se m\u00ealent entre la manipulation de haches et es acrobaties au m\u00e2t chinois.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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expositions en continu<\/h1>\n

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vrille \u00a0Installation photographique, sonore et plastique<\/span><\/span><\/h1>\n

Id\u00e9e originale : Julien Vittecoq et Etienne Manceau\u00a0\u00a0\u00a0
Cr\u00e9ation sonore : Quentin Marotine
Regard complice : Sylvain Cousin
Sc\u00e9nographie : Franck Breuil
Production : Manon Durieux<\/span><\/p>\n

Tout public<\/span><\/em>\u00a0<\/span><\/strong><\/p>\n

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Vrille<\/span> sugg\u00e8re une exp\u00e9rience sensorielle enveloppante et immersive. Une parenth\u00e8se qui invite les spectateurices \u00e0 \u00eatre les t\u00e9moins privil\u00e9gi\u00e9s de leurs propres sensibilit\u00e9s.<\/p>\n

Une recherche autour de l’humain, ses fondements psychiques et son rapport au vivant, animal et v\u00e9g\u00e9tal.
Il pourrait bien s\u2019agir d\u2019une recherche sur ce qui n\u2019est pas visible de l\u2019humain mais qui existe bel et bien au fond de nous et qui nous anime depuis la nuit des temps.
Notre travail d\u00e9bute en 2025 et nous aimerions qu’il s’inscrive dans le temps, comme une recherche au long cour autour des mati\u00e8res photographiques, sonores et plastiques. \u00a0 \u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb1063px\u00a0\u00bb custom_margin=\u00a0\u00bb-1px|||||\u00a0\u00bb custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb da_is_popup=\u00a0\u00bboff\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bboff\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_is_singular=\u00a0\u00bboff\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb da_has_shadow=\u00a0\u00bbon\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb665px\u00a0\u00bb custom_margin=\u00a0\u00bb|95px||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb28px||63px|0px||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

crossroads \u00a0Art environnemental<\/span><\/span><\/span><\/h1>\n

Marc de Roover<\/p>\n

Tout public<\/span><\/em><\/p>\n

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Les installations ext\u00e9rieures de Marc de Roover exercent sur le spectateur une \u00e9trange fascination : elles transmettent tout \u00e0 la fois harmonie et puissance spirituelle.\u2028<\/span><\/p>\n

Tel un architecte minimaliste, de Roover construit des objets en bois de grande dimension, qu\u2019il recouvre parfois d\u2019une couche de goudron et qu\u2019il installe au sol dans une savante sym\u00e9trie. <\/span><\/p>\n

Ces sculptures s\u2019inspirent des constructions simples et utiles que l\u2019on doit au g\u00e9nie paysan : ruche d\u2019apiculteur ou cabanon utilis\u00e9 pour le s\u00e9chage des haricots.<\/span><\/p>\n

\u00a0Marc de Roover<\/strong>\u00a0<\/span>travaille avec la circularit\u00e9, le mouvement gravitationnel des plan\u00e8tes, le cycle de la vie, les \u00e9changes interg\u00e9n\u00e9rationnels.<\/span><\/p>\n

\u00ab\u00a0Un arbre ne s\u2019explique pas, il se plante. Il devient une pr\u00e9sence. Il devient paysage, et il se reproduit. C\u2019est tout et \u00e7a suff\u00eet.<\/em><\/p>\n

Il en est de m\u00eame pour l\u2019\u0153uvre d\u2019art. Elle se plante. Avec une grande \u00e9vidence. Se plante dans son lieu.<\/em>\u00a0<\/em><\/span>
Elle se plante dans l\u2019\u0153il et le c\u0153ur de l\u2019observateur.\u00a0<\/span>
Et puis, elle se reproduit. Nous ne savons pas comment, mais elle se reproduit.<\/em><\/p>\n

Une bonne \u0153uvre d\u2019art s\u00e8me et essaime. Sans mots\u2026 Depuis longtemps, je trouve qu\u2019il faut pouvoir toucher une \u0153uvre d\u2019art, acc\u00e9der \u00e0 son int\u00e9riorit\u00e9, s\u2019asseoir dessus, se promener dedans ou dessus. Je trouve qu\u2019une \u0153uvre devrait nous entourer, comme une belle pi\u00e8ce de maison vous enveloppe. Voil\u00e0 pourquoi je me sens proche de l\u2019architecture.\u00a0\u00bb<\/em>\u00a0<\/em><\/span><\/p>\n

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empreintes \u00a0Installation radiophonique et plastique<\/span><\/span><\/h1>\n

Id\u00e9e originale et r\u00e9alisation sonore : Am\u00e9lie Venisse \u00a0<\/span>
Cr\u00e9ation, montage et dispositif sonore : Quentin Marotine<\/span>
Peinture : Patrick Pleutin
Sc\u00e9nographie : Patrick Pleutin, Quentin Marotine et Marc de Roover
Production : Juste avant l’oubli<\/span><\/p>\n

R\u00e9aliser avec le soutient de :<\/strong>\u00a0Re\u0301gion Bourgogne Franche-Comte\u0301 \u2013 Conseil de\u0301partemental de Sao\u0302ne-et-Loire<\/span><\/em><\/span><\/p>\n

Tout public<\/span><\/em>\u00a0<\/span><\/strong><\/p>\n

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Empreintes est un documentaire radiophonique restituant la parole et l’univers de 7 personnes \u00e2g\u00e9es. L’exposition nous invite \u00e0 prendre le temps d’\u00e9couter ces voix et ces silences riche d’un si\u00e8cle d’existence.<\/p>\n

Que reste t’il apr\u00e8s cette longue travers\u00e9e? Qu’est-ce qui est important?<\/p>\n

Avec humour et douceur, la Cie juste avant l’oubli fait de cette qu\u00eate existentielle, un voyage \u00e0 travers les voix et les coeurs de ces t\u00e9moins du temps qui passe.<\/p>\n

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carrosse d’\u00e9coute \u00a0Cin\u00e9ma pour les oreilles<\/span><\/span><\/span><\/h1>\n
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Prenez le temps de vous installer confortablement dans notre carrosse d’\u00e9coute, prenez un casque, fermez les yeux et laissez vous porter par les diff\u00e9rentes cr\u00e9ations sonores compos\u00e9es par les \u00e9l\u00e8ves de classes d’\u00e9lectroacoustique du conservatoire \u00e0 rayonnement r\u00e9gional du Grand Chalon.<\/span><\/p>\n

Programme :<\/span><\/p>\n

Aude Husson Patru –\u00a0triptyque \u00ab\u00a0Au fait… est-il vrai que je ne vois plus?\u00a0\u00bb<\/span><\/p>\n

L\u00e9a Viglino – Le\u0219 oiseaux se cachent pour chanter<\/p>\n

C\u00e9sar Van Hove –\u00a0Montage serr\u00e9 de l\u2019\u00e9t\u00e9<\/span><\/span><\/span><\/p>\n

Aalderick de Vries – Exinction<\/span><\/span><\/span><\/p>\n

Quentin Marotine – Au fil du vin<\/p>\n

 <\/p>\n

Tout public<\/span><\/em><\/p>\n

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ateliers<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb min_height=\u00a0\u00bb563px\u00a0\u00bb custom_margin=\u00a0\u00bb|102px|-188px|auto||\u00a0\u00bb custom_padding=\u00a0\u00bb28px||0px|0px||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.justeavantloubli.com\/wp-content\/uploads\/2025\/08\/Ateliers-poterie-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbAteliers poterie\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbright\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbRoboto Condensed||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb header_font_size=\u00a0\u00bb41px\u00a0\u00bb header_line_height=\u00a0\u00bb1.7em\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_padding=\u00a0\u00bb|||1px||\u00a0\u00bb]<\/p>\n

atelier poterie \u00a0Initiation poterie<\/span><\/span><\/h1>\n

Par Potterij Het Trolleken<\/strong><\/span> <\/span>
<\/span><\/em><\/span><\/p>\n

Samedi et Dimanche de 15h \u00e0 17h en continu<\/strong><\/p>\n

Jauge limit\u00e9e :<\/strong> Inscription \u00e0 l’entr\u00e9e du site<\/p>\n

Tout public<\/span><\/em>\u00a0<\/span><\/strong>\u00e0 partir de 5 ans<\/span><\/em><\/span><\/p>\n

Un atelier convivial pour d\u00e9couvrir le modelage, le tournage ou la d\u00e9coration de la terre. Un moment de partage et de cr\u00e9ation autour du geste artisanal.<\/span><\/span><\/p>\n

https:\/\/sites.google.com\/view\/potterijhetrolleken<\/a><\/span><\/span><\/p>\n

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Philo \u00e0 Chavy \u00a0<\/h1>\n

Par Paola Tonizo<\/b><\/p>\n

Dur\u00e9e :<\/span><\/strong>\u00a060 minutes<\/span><\/span><\/p>\n

Jauge limit\u00e9e –<\/b>\u00a0R\u00e9servation \u00e0 l’entr\u00e9e du site<\/span><\/span><\/p>\n

Samedi : <\/b><\/span>15h<\/span><\/strong>\u00a0Enfants \u00e0 partir de 7 ans \u00a0\/\u00a0<\/span>Jauge: 10 enfants<\/span><\/p>\n

\u00a0<\/span><\/strong><\/span>16h45<\/strong> : Ados\/Adultes \u00a0\/\u00a0<\/span>Jauge 12 personnes<\/span><\/p>\n

Dimanche : <\/span><\/span>14h30 et 17h<\/span><\/strong><\/p>\n

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Philosopher ?<\/div>\n
Sait-on encore ce que c\u2019est ?<\/div>\n
C\u2019est beaucoup plus simple qu\u2019on ne le pense. Se poser un instant et \u00e9couter\u2026 Laisser se construire une id\u00e9e, accompagner ce qui se pr\u00e9sente, d\u00e9velopper son propos\u2026 Retrouver le go\u00fbt de la discussion, la curiosit\u00e9 de l\u2019autre ; Poser, \u00e9couter, laisser cheminer, jouer !<\/div>\n
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\ud835\udc0f\ud835\udc1a\ud835\udc28\ud835\udc25\ud835\udc1a \ud835\udc13\ud835\udc28\ud835\udc27\ud835\udc22\ud835\udc33\ud835\udc33\ud835\udc28 vous invite \u00e0 tracer les contours, suivre une pens\u00e9e, ouvrir le champ des possibles\u2026 et changer peut \u00eatre d\u2019avis ! Un temps suspendu pour se relier \u00e0 soi et aux autres.<\/div>\n<\/div>\n

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