{"id":14,"date":"2021-03-02T11:53:37","date_gmt":"2021-03-02T10:53:37","guid":{"rendered":"https:\/\/www.justeavantloubli.com\/?page_id=14"},"modified":"2025-08-17T21:59:20","modified_gmt":"2025-08-17T19:59:20","slug":"compagnie","status":"publish","type":"page","link":"https:\/\/www.justeavantloubli.com\/fr_fr\/compagnie\/","title":{"rendered":"Compagnie"},"content":{"rendered":"

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La compagnie<\/h1>\n

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Apre\u0300s avoir partage\u0301 et me\u0301lange\u0301 leur vie en France et a\u0300 l\u2019e\u0301tranger sur des sce\u0300nes de cirque, de musique et de cabarets pendant plus de 15 ans, Ame\u0301lie et Quentin de\u0301cident de monter leur propre compagnie.
La Compagnie Juste avant l\u2019oubli voit le jour suite au confinement de mars 2020 et est domicilie\u0301e a\u0300 Ozenay, petit village de Sao\u0302ne-et-Loire en Bourgogne.En plus du de\u0301sir et du plaisir qu\u2019ils ont a\u0300 travailler ensemble, il s\u2019agit main- tenant pour Ame\u0301lie et Quentin de mettre en commun leurs moyens d\u2019expres- sion, leurs langages.
La ligne artistique est multidisciplinaire, avec comme base et outils d\u2019expres- sions, l\u2019e\u0301criture, le corps, la cre\u0301ation musicale, le jeu d\u2019acteur, l\u2019humour, la magie nouvelle et le cirque.
La compagnie a la volonte\u0301 particulie\u0300re de promouvoir l\u2019accessibilite\u0301 au spectacle vivant dans les campagnes.<\/p>\n

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Parce qu\u2019\u00e0 l\u2019heure de l\u2019isolement, des solitudes, des barri\u00e8res invisibles, des\u00a0questions existentielles, des r\u00e9flexions sur l\u2019essentiel, nous avons regard\u00e9 \u00e0\u00a0l\u2019int\u00e9rieur de nous. Pour ne pas nous perdre, pour comprendre ce qui reste,\u00a0ce qui importe. Parce qu\u2019\u00e0 l\u2019heure du silence tenace et obstin\u00e9, nos bouches tr\u00e9pignent, nos\u00a0instruments s\u2019agitent, nos c\u0153urs bondissent. Pour ne pas vous perdre, pour\u00a0comprendre ceux qui restent, ce qui nous porte.<\/p>\n

La compagnie Juste avant l\u2019oubli voit le jour suite au confinement de mars 2020 \u00e0 Ozenay, petit village de Sa\u00f4ne-et-Loire en Bourgogne. Il s\u2019agissait pour nous de mettre en commun nos moyens d\u2019expression, nos langages et continuer plus que jamais \u00e0 partager, nous exprimer, surprendre et d\u00e9router.<\/p>\n

Dans notre recherche artistique nous aimons m\u00ealer les mots, le son, la musique, le corps, le clown, le cirque, avec la particularit\u00e9 d’apporter une douce confusion des sens gr\u00e2ce \u00e0 la magie nouvelle. Ce croisement artistique se nourrit de rencontres et de collaborations avec des artistes et des techniciens qui enrichissent le travail de la compagnie en y d\u00e9posant leurs regards et leurs habilet\u00e9s.<\/p>\n

Nous aimons amener le spectacle au del\u00e0 des endroits convenus et attendus, investir l’espace public, y d\u00e9poser le souvenir d’une \u00e9motion,\u00a0 et lui rendre sa magie.
Nous aimons aussi revenir au th\u00e9\u00e2tre pour mieux le red\u00e9couvrir, profiter de l’\u00e9coute si particuli\u00e8re qui s’y cr\u00e9e. Nous aimons m\u00ealer les \u00e9critures, chercher des techniques mixtes et trouver la pr\u00e9cision, l\u2019exigence, le rire et le plaisir.<\/p>\n

Et ce que nous aimons plus que tout c’est jouer.
Inviter chaque spectateur \u00e0 s’abandonner un instant et accepter de perdre bien des rep\u00e8res.
Jouer et \u00eatre \u00e9mus.
Ensemble.<\/p>\n

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La compagnie<\/h1>\n

[\/et_pb_text][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n

Parce qu\u2019\u00e0 l\u2019heure de l\u2019isolement, des solitudes, des barri\u00e8res invisibles, des questions existentielles, des r\u00e9flexions sur l\u2019essentiel, nous avons regard\u00e9 \u00e0 l\u2019int\u00e9rieur de nous. Pour ne pas nous perdre, pour comprendre ce qui reste, ce qui importe. Parce qu\u2019\u00e0 l\u2019heure du silence tenace et obstin\u00e9, nos bouches tr\u00e9pignent, nos instruments s\u2019agitent, nos c\u0153urs bondissent. Pour ne pas vous perdre, pour comprendre ceux qui restent, ce qui nous porte.<\/p>\n

La compagnie Juste avant l\u2019oubli voit le jour suite au confinement de mars 2020 \u00e0 Ozenay, petit village de Sa\u00f4ne-et-Loire en Bourgogne. Il s\u2019agissait pour nous de mettre en commun nos moyens d\u2019expression, nos langages et continuer plus que jamais \u00e0 partager, nous exprimer, surprendre et d\u00e9router.<\/p>\n

Dans notre recherche artistique nous aimons m\u00ealer les mots, le son, la musique, le corps, le clown, le cirque, avec la particularit\u00e9 d’apporter une douce confusion des sens gr\u00e2ce \u00e0 la magie nouvelle. Ce croisement artistique se nourrit de rencontres et de collaborations avec des artistes et des techniciens qui enrichissent le travail de la compagnie en y d\u00e9posant leurs regards et leurs habilet\u00e9s.<\/p>\n

Nous aimons amener le spectacle au del\u00e0 des endroits convenus et attendus, investir l’espace public, y d\u00e9poser le souvenir d’une \u00e9motion, et lui rendre sa magie.
Nous aimons aussi revenir au th\u00e9\u00e2tre pour mieux le red\u00e9couvrir, profiter de l’\u00e9coute si particuli\u00e8re qui s’y cr\u00e9e. Nous aimons m\u00ealer les \u00e9critures, chercher des techniques mixtes et trouver la pr\u00e9cision, l\u2019exigence, le rire et le plaisir.<\/p>\n

Et ce que nous aimons plus que tout, c\u2019est jouer.
C\u2019est inviter chaque spectateur \u00e0 s\u2019abandonner un instant et accepter de perdre bien des rep\u00e8res.
Jouer et \u00eatre \u00e9mus tous ensemble.<\/p>\n

Am\u00e9lie Venisse et Quentin Marotine<\/p>\n

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Parce qu\u2019\u00e0 l\u2019heure de l\u2019isolement, des solitudes, des barri\u00e8res invisibles, des\u00a0questions existentielles, des r\u00e9flexions sur l\u2019essentiel, nous avons regard\u00e9 \u00e0\u00a0l\u2019int\u00e9rieur de nous. Pour ne pas nous perdre, pour comprendre ce qui reste,\u00a0ce qui importe. Parce qu\u2019\u00e0 l\u2019heure du silence tenace et obstin\u00e9, nos bouches tr\u00e9pignent, nos\u00a0instruments s\u2019agitent, nos c\u0153urs bondissent. Pour ne pas vous perdre, pour\u00a0comprendre ceux qui restent, ce qui nous porte.<\/p>\n

La compagnie Juste avant l\u2019oubli voit le jour suite au confinement de mars 2020 \u00e0 Ozenay, petit village de Sa\u00f4ne-et-Loire en Bourgogne. Il s\u2019agissait pour nous de mettre en commun nos moyens d\u2019expression, nos langages et continuer plus que jamais \u00e0 partager, nous exprimer, surprendre et d\u00e9router.<\/p>\n

Dans notre recherche artistique nous aimons m\u00ealer les mots, le son, la musique, le corps, le clown, le cirque, avec la particularit\u00e9 d’apporter une douce confusion des sens gr\u00e2ce \u00e0 la magie nouvelle. Ce croisement artistique se nourrit de rencontres et de collaborations avec des artistes et des techniciens qui enrichissent le travail de la compagnie en y d\u00e9posant leurs regards et leurs habilet\u00e9s.<\/p>\n

Nous aimons amener le spectacle au del\u00e0 des endroits convenus et attendus, investir l’espace public, y d\u00e9poser le souvenir d’une \u00e9motion,\u00a0 et lui rendre sa magie.
Nous aimons aussi revenir au th\u00e9\u00e2tre pour mieux le red\u00e9couvrir, profiter de l’\u00e9coute si particuli\u00e8re qui s’y cr\u00e9e. Nous aimons m\u00ealer les \u00e9critures, chercher des techniques mixtes et trouver la pr\u00e9cision, l\u2019exigence, le rire et le plaisir.<\/p>\n

Et ce que nous aimons plus que tout c\u2019est jouer.
Inviter chaque spectateur \u00e0 s\u2019abandonner un instant et accepter de perdre bien des rep\u00e8res.
Jouer et \u00eatre \u00e9mus.
Ensemble.<\/p>\n

 <\/p>\n

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Artistes associ\u00e9s<\/h1>\n

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Quentin Marotine
<\/strong><\/h3>\n

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Am\u00e9lie Venisse<\/h3>\n

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Equipe artistique et technique<\/h1>\n

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<\/h3>\n

<\/h3>\n

Aby Mathieu<\/h3>\n

R\u00e9gie et cr\u00e9ation lumi\u00e8re<\/p>\n

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<\/h3>\n

<\/h3>\n

Thibault Condy<\/h3>\n

R\u00e9gie et cr\u00e9ation lumi\u00e8re<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#anthony\u00a0\u00bb]<\/p>\n

Anthony Venisse<\/h3>\n

Concepteur en effets magiques<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#corine\u00a0\u00bb]<\/p>\n

\n

Corine Godard<\/h3>\n

Costumi\u00e8re
<\/strong><\/p>\n

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Nathalie Matriciani<\/h3>\n

Costumi\u00e8re
<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#lisa\u00a0\u00bb]<\/p>\n

\n

Lisa Mazoyer<\/h3>\n

Graphiste \/ illustratrice<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Patrick Pleutin<\/h3>\n

Artiste Plasticien<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_6″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb link_option_url=\u00a0\u00bb#Pierrick\u00a0\u00bb]<\/p>\n

\n

Pierrick Saillant<\/h3>\n

Ing\u00e9nieur son<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

\n

Laurent forest : Ils Scenent<\/h3>\n

Administratif et comptabilit\u00e9<\/p>\n

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\n

Guillaume Dulac<\/h3>\n

Regisseur g\u00e9n\u00e9ral \/ Ing\u00e9nieur son<\/p>\n

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membres du bureau<\/h1>\n

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Michael Ramalhosa<\/h3>\n

Pr\u00e9sident<\/p>\n

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Pascaline Saillant<\/h3>\n

Tr\u00e9sori\u00e8re<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.9.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb22px\u00a0\u00bb header_3_font_size=\u00a0\u00bb40px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Marie Flick<\/h3>\n

Secr\u00e9taire<\/span><\/p>\n

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AM\u00c9LIE VENISSE
<\/span><\/h1>\n

En 2005, Am\u00e9lie sort dipl\u00f4m\u00e9e de l\u2019Ecole Sup\u00e9rieure des Arts du Cirque de Bruxelles en tant que trap\u00e9ziste.<\/p>\n

Tr\u00e8s vite, elle int\u00e8gre le clown dans son travail et remporte quelques prix (Festival mondial du cirque de demain, Solycirco\u2026) et se produit sur de nombreuses sc\u00e8nes (GOP-variete, Wintergarten, la TOHU\u2026) avec son personnage Mademoiselle Cerise.<\/p>\n

C\u2019est au tour de la magie d\u2019entrer dans son processus de cr\u00e9ation et elle tourne \u00e0 l\u2019international depuis 2016 un num\u00e9ro de quick-change.
En 2018, elle suit la formation de Magie Nouvelle au CNAC \u00e0 Ch\u00e2lons-en-Champagne sous la direction de Rapha\u00ebl Navarro et Valentine Losseau.\u00a0Elle y donne aujourd\u2019hui des cours de quick-change.<\/p>\n

Parall\u00e8lement \u00e0 sa carri\u00e8re de circassienne, Am\u00e9lie est auteur-compositeur et interpr\u00e8te en chant et accord\u00e9on pour le duo \u00abLes Folles de L\u00e9on \u00bb.<\/p>\n

Elle a travaill\u00e9 ou travaille encore avec diff\u00e9rentes compagnie (Underclouds Cie, Cirque Hirsute<\/i>\u2026)<\/p>\n

Am\u00e9lie est \u00e9galement interpr\u00e8te du spectacle Vue,\u00a0Cie Sac\u00e9kripa<\/i>, solo pour manipulatrice d\u2019objet depuis mai 2022.<\/p>\n

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Quentin Marotine<\/h1>\n
\n
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\n
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Quentin commence la musique en autodidacte avant d’inte\u0301grer le CRR du Grand Chalon en 2004 ou\u0300 il suit le cycle de formation jazz sous la direction des saxophonistes Sylvain Beuf puis Olivier Py.\u00a0<\/span><\/p>\n

En 2006, il co-fonde la compagnie de musique de rue <\/span>Impe\u0301rial Kikiristan<\/span>.
L\u2019anne\u0301e suivante, il de\u0301couvre le jeu clownesque au Hangar des Mines, p\u00e9dagogie \u00e9labor\u00e9e par Michel Dallaire.\u00a0C’est une \u00e9tape marquante de son apprentissage artistique qui sera d\u00e9cisive dans sa volont\u00e9 de m\u00e9langer sa pratique instrumentale \u00e0 d\u2019autres formes artistiques.<\/span><\/p>\n

A partir de 2013, int\u00e9ress\u00e9 par la musique \u00e9lectroacoustique et la manipulation sonore en temps r\u00e9el, Quentin\u00a0s’oriente vers la mise en place de dispositifs e\u0301lectroniques.
Il se forme notamment aupre\u0300s des compositeurs Oliviers Sens, Philippe Ollivier ou encore Michel Risse.<\/span><\/p>\n

Son inte\u0301re\u0302t pour les arts du cirque<\/span>\u00a0l’ame\u0300ne a\u0300 inte\u0301grer en 2020 la formation Magie Nouvelle au CNAC a\u0300 Chalon-en- Champagne sous la direction de Raphae\u0308l Navarro et Valentine Losseau (Cie 14:20).<\/span><\/p>\n

La Magie Nouvelle lui ouvre un nouveau champs d’exp\u00e9rimentation sc\u00e9nique, de recherche sonore et continue de nourrir sa d\u00e9marche artistique sous de multiples formes.<\/span><\/p>\n

Depuis 2022, il suit la classe d\u2019Armando Balice et le cursus de composition e\u0301lectroacoustique au CRR du Grand Chalon en vue de l’obtention d’un DEM en 2026. <\/span><\/p>\n

Parall\u00e8lement il entame un cycle de formation sur la cr\u00e9ation sonore radiophonique au Phonurgia Nova et profite des enseignements de Benoit Bories, Marc-Antoine Granier, Sophie Berger, Marc Namblard et Jeanne Debarsy.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Pascaline Saillant
<\/span><\/h1>\n

Pascaline est productrice pour le cin\u00e9ma, elle a aussi \u00e9t\u00e9 projectionniste, quand les films \u00e9taient encore en pellicule.
Elle aime les films \u00e9tranges, les beaux livres, les robes \u00e0 paillettes de Rebecca, les sons de Jean-Cluc, et les for\u00eats jardins.
Tr\u00e9sori\u00e8re, elle n\u2019aime pas le calcul mental, mais se pla\u00eet bien avec les tableurs.<\/p>\n

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Elisa Gourlier
<\/span><\/h1>\n
\u00a0Elisa est dans le civil enseignante d’\u00e9ducation socioculturelle. Tr\u00e8s investie dans la vie culturelle tournusienne, au Galpon notamment, elle travaille depuis longtemps avec Am\u00e9lie et Quentin. C’est avec une grande joie qu’elle assure l’administration de la compagnie.<\/div>\n

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Fran\u00e7oise Carraud
<\/span><\/h1>\n

Fran\u00e7oise est prof de sciences de l\u2019\u00e9ducation et de la formation et une grand-m\u00e8re sous le charme.
<\/span>Elle aime les arbres et les mots, les histoires, les spectacles\u2026 les gens.
<\/span>Elle est la secr\u00e9taire de la\u00a0compagnie.<\/span><\/p>\n

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Yann Trenel
<\/span><\/h1>\n

Masseur kin\u00e9sith\u00e9rapeute, musicien amateur, impliqu\u00e9 dans diverses associations depuis 10 ans, Yann a toujours pr\u00e9f\u00e9r\u00e9 \u00eatre acteur plut\u00f4t que spectateur, de la vie culturelle locale.<\/p>\n

 <\/p>\n

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Lisa Mazoyer
<\/span><\/h1>\n

Fabriquer des images, dessiner, cr\u00e9er avec ses mains, elle ne saurait dire quand elle a commenc\u00e9\u2026 \u00e7a a toujours \u00e9t\u00e9 l\u00e0, familier. Lisa a install\u00e9 son atelier \u00e0 Tournus, o\u00f9 elle consacre \u00e9galement du temps \u00e0 l\u2019association culturelle Chez ta soeur, qu\u2019elle a co-fond\u00e9e. Elle travaille \u00e0 la fois sur des cr\u00e9ations personnelles, anime des ateliers et propose \u00e9galement des services en graphisme et en communication.
Elle a notamment cr\u00e9\u00e9 le logo de la compagnie Juste avant l\u2019oubli et l\u2019affiche du spectacle Ma Louve.<\/p>\n

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Pierrick Saillant<\/h1>\n

Ing\u00e9nieur du son de formation, ayant d\u00e9but\u00e9 dans le milieu du live, Pierrick Saillant a depuis explor\u00e9 d’autres univers. Il a particip\u00e9 \u00e0 de nombreux projets d’art parmi les plus ambitieux de ces derni\u00e8res ann\u00e9es, il y d\u00e9ploie ses talents en show control, diffusion sonore, vid\u00e9o, programmation et \u00e9lectronique.<\/p>\n

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Guillaume Dulac<\/h1>\n

Guillaume sort dipl\u00f4m\u00e9 du Conservatoire National Sup\u00e9rieur de Paris en tant qu’ing\u00e9nieur du son – musicien en 2003.<\/p>\n

Il a depuis, sonoris\u00e9 de nombreux artistes sur sc\u00e8ne, parmi lesquels Fatoumata Diawara, Rodolphe Burger, Archie Shepp, Jacques Higelin et Jeanne Added.<\/p>\n

Il a \u00e9galement travaill\u00e9 sur les spectacles de Robert Wilson et James Thierr\u00e9e et sonoris\u00e9 diff\u00e9rents op\u00e9ras.<\/div>\n
Au del\u00e0 de ses multiples exp\u00e9riences de tourn\u00e9es, captations et travail en post-production, Guillaume est \u00e9galement responsable du P\u00f4le son en classe pr\u00e9paratoire aux Grandes Ecoles PTSI M\u00e9tiers du Son au Conservatoire r\u00e9gional de Chalon sur Sa\u00f4ne depuis 2013.<\/div>\n
\u00a0<\/i><\/div>\n
Il a rejoint la Compagnie Juste avant l’oubli pendant la cr\u00e9ation de Ma Louve en 2022.<\/div>\n

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COrine Godard
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Corine Godard est costumi\u00e8re. Elle d\u00e9bute dans les ann\u00e9es 90 avec la Compagnie Actea, Jean-Pierre Dupuy puis a travaill\u00e9 de nombreuses ann\u00e9es au Centre national chor\u00e9graphique de Caen sous la direction de Karine Saporta. Elle apporte aussi sa cr\u00e9ativit\u00e9 dans de nombreux projets, notamment aupr\u00e8s de la danseuse chor\u00e9graphe Anna Ventura, lors de cr\u00e9ations au Centre Dramatique National de Caen ou \u00e0 la Com\u00e9die de Caen.
Plus r\u00e9cemment, Corine a travaill\u00e9 avec les artistes russes Asya Kosina et Dimitri Kozin, la Compagnie Arrivedercho, ou pour le cabaret allemand GOP variete de Bonn. Elle a \u00e9galement apport\u00e9 ses pr\u00e9cieuses comp\u00e9tences pour la r\u00e9alisation de certains costumes du num\u00e9ro de quick-change d\u2019Anthony et Am\u00e9lie Venisse.<\/p>\n

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Anthony Venisse
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Anthony est le fr\u00e8re d\u2019Am\u00e9lie. Apr\u00e8s 10 ans d\u2019\u00e9tudes de piano et une formation \u00e0 l\u2019\u00e9cole de danse Rudra-B\u00e9jart Lausanne et au Circus Space de Londres, il poursuit sa formation \u00e0 l\u2019Ecole Nationale de Cirque de Montr\u00e9al o\u00f9 il se sp\u00e9cialise en trap\u00e8ze ballant et en jeu clownesque.
D\u00e8s lors Anthony foule la sc\u00e8ne comme clown et acrobate. Il cultive une passion particuli\u00e8re pour la cr\u00e9ation et la mise en sc\u00e8ne. Il produit alors en 2007 son propre one clown show autour d\u2019un piano : Le Concierge.
Depuis, Anthony signe des mises en sc\u00e8ne aussi bien pour les cabarets GOP-Variet\u00e9 en Allemagne que pour le festival Montr\u00e9al Compl\u00e8tement Cirque pour lequel il con\u00e7oit et d\u00e9veloppe en 2010 le concept des Minutes Compl\u00e8tement Cirque qu\u2019il dirige pendant dix ans. Il est aussi formateur artistique et chor\u00e9graphe de num\u00e9ros au Cirque du Soleil.
Fascin\u00e9 par la magie, il d\u00e9veloppe, en duo Am\u00e9lie, un num\u00e9ro clownesque construit principalement autour de la technique du quick-change.<\/p>\n

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